![]() Media Composer and Premiere Pro are both non-linear video editing programs designed for professional video editing. What Do Media Composer and Premiere Pro Do? Which one will reign supreme? Keep reading to find out. So which one reigns supreme? Which platform will make you the editing god you’ve always dreamed you were and eat 6k footage for breakfast? There are many overlapping features between the two, which can make deciding on which program to use a challenge, especially for editors and filmmakers who are just starting out.īut never fear, we’re here to put these programs to the test against each other and reveal the good, the bad, and the ugly of each platform. Both of these platforms boast a head-spinning array of features and effects that are designed to give your video footage a professional polish and help you edit your projects faster and with more precision than ever before. They are both the darlings of professionals in the digital editing world, found in production studios from Hollywood to Bollywood, but users of each tend to have strong opinions on why theirs is the best. Adobe’s Premiere Pro has been raging since both editing programs first broke onto the scene. For more information about ZED and any future events see here.The battle of AVID Media Composer vs. This content was produced in collaboration with HP & Intel as part of ZED - a Pop-Up Studio for the Creative Community held in Soho, London. Follow him on Twitter Delivered in conjunction with ZED! Mike Griggs is a freelance concept 3D, VFX and Mograph artist working across TV, exhibition and digital design. While slightly more convoluted than the Warp Stabilizer tool, Mocha AE is an excellent tool and there are some excellent tutorials available through the After Effects help section. Mocha AE can also be used to stabilize footage, by copying the data back as transform data, rather than the more normal corner pin method, which you'd use if you were tracking elements within a shot. Mocha differs from the other trackers available from After Effects in that is a Planar tracker, which means it's much better for tracking shapes - for example, if you're doing screen replacements. Mocha AE is available from the After Effects menu: just choose Animation>Track in Mocha AE. While there is a range of excellent tracking tools within After Effects itself, you get another piece of tracking software with Adobe Creative Cloud. ![]() Mocha AE is the secret weapon hidden with After Effects, it can be used for a range of 2D tracking work and stabilization work, and is often quicker and more accurate than the built in 2D tracking options If this does not work you can adjust the way that the Stabilizer works, by choosing a range of options from Warp Stabilizer through to Position Only. To mitigate this, whether you're using After Effects or Premiere there is a range of options to help you get the result you want.įirst of all, you can tell After Effects not to crop your image. While the Warp Stabilizer tools usually do a pretty good job, especially over shorter clips, one of the drawbacks of the stabilizing tools if they're run automatically is that they can crop into your footage quite drastically. I usually start with the Warp Stabilizer. ![]() The quickest way to access the tracking tools is to go to Window>Workspace>Motion Tracking, where the tracking palette will appear. Of course magic tricks do not always work the way you want, and so After Effects has a range of options to help. Use the Motion Layout to access the tracking tools quickly, you can use the other options in the warp stabilizer to help refine your result
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